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The Kyle Anzalone Show Trump Has Allowed Netanyahu to Control Negotiations, and it’s hurting Americans

Memorial Day brings out a lot of scripted lines, but we want to talk about the part that gets avoided: what American wars actually cost, who pays, and how often the public is left holding the bill while elites chase ideology, influence, and profit. We start by looking at the human consequences for service members and veterans, and why so many deployments overseas end with the same problems still on the table, just with more graves and more resentment.

Then we shift into the biggest moving story right now: Iran negotiations, the Iran nuclear program, and why the phrase “on the brink of a deal” can be more propaganda than reality. We break down uranium enrichment in plain language, what the Nuclear Non-Proliferation Treaty allows, and why demanding “zero enrichment” is not a technical detail but a deal-killer. We also explain how Lebanon and Hezbollah change the endgame, why escalations in southern Lebanon can function as sabotage, and how the Strait of Hormuz becomes real leverage that reshapes every calculation.

We also react to Trump’s messaging, including his push to fold Iran into the Abraham Accords, what those normalization deals have meant in practice, and how they can drive an arms race while adding impossible complexity to already fragile diplomacy. Along the way, we play and respond to clips featuring Cory Booker, plus a debate moment where Mearsheimer and Walt confront Pompeo and Nuland’s talking points, and we close with a quick look at Thomas Massie signaling a possible national run.

Obsession (2025) a review of sorts, or maybe just my thoughts…

Obsession (2025) a review of sorts, or maybe just my thoughts…

It was refreshing to walk into a full cinema for a film that was not attached to a video game or some 20th century property suffering through needless cannibalism. Alas, Blumhouse has managed to produce another hit with a small budget, slim cast of relative unknowns and a plot that revolved around theme and characters. I did not enjoy this movie, but that does not mean I do not recommend it.

Obsession, is being touted as a horror. I think it could pass for this, but it fits more into the psychological thriller category with extremes of gore. It is a slow burn, with needless exposition. For example, we will see things happen and then the next five minutes revolves around the characters explaining what had occurred. While this is not a verse, chorus, structure that modern double screening cinema is required to do for present audiences, ie those distracted by scrolling or who have the film on in the background while they game, cook or re-arrange their jars of stewed peaches. I feel in the case of Obsession, the writer wanted to reiterate elements that were occurring.

Spoilers ahead.

This movie is in some ways a layered litmus test. In the era of mental health to the point of identity obsession. This film reveals a strange disconnect for many who really don’t understand the deeper terrors for those enduring true trauma or who are prisoners against their will.

I suppose we need to address the plot and characters. Swear words follow.

Bear, is the protagonist. He is an insufferable cunt. Every sentence he speaks sounds like fingers drawing down a chalkboard and what words he spews tend to revolve around his own self interests. His cat dies early in the film, he is living in his grandmothers home who had also recently passed. Somehow, the feline managed to find her medication and in true Chekhov gun fashion, the pills killed the cat. And rest assured, there will be a real Chekhov gun to follow. Bear is upset that the cat is dead. Clearly he has emotions. We see him cry. So, the writers want us to know that he is not without emotions.

Bear also likes a girl, a member of his friend group, Nikki. She and two of his other friends went to school together and now work in a music shop. Ian and Sarah are the other two friends. The shop is owned by Sarah’s dad, who it seems generously hires her three friends. We know Bear likes Nikki because in the opening of the film, he is rehearsing what he will say to her while a waitress pretends to be her and Ian watches on. It’s sort of a lazy scene but gives us an idea of how, Bear feels about Nikki.

Bear is awkward and clumsy to the point of obnoxiousness. Nikki considers him as a sibling, perhaps her slightly dimwitted friend who she is protective over. Nothing about his character development suggests any charm, he is barely attentive and fixates on his wants, and while others talk to him, he seems to struggle with hearing them. But, he is infatuated with Nikki. And for some, this apparently is…sweet? Romantic?

Nikki we are shown is compassionate, this is framed with her empathy for a homeless person. She has ambition, she wants to be a writer and is filled with hopes and desires. She tells Bear about her intentions to leave their town and find something more, love, or passion that may help her with the book she is working on. She is trapped and wants to be free. Instead of being happy and supportive of his friend. Bear is frightened. This is a ticking clock for our narcissistic person, he wants her to stay and he now has a limited time frame to tell her his feelings.

During a conversation on the phone, Nikki mentions that she has lost her crystal necklace. Bear soon finds himself in an alternative lifestyle shop, the type to sell crystals and other metaphysical paraphernalia. In Blumhouse style, there is humour and with some Millennial writing imbued to remind us not to take things too seriously, and to even laugh at times, we have such dialogue. Bear finds a wishing willow, he blathers and molests the shop clerk with the sounds that come from his mouth. Later on, he drives Nikki home from work and the insufferable protagonist ends up meandering and mumbling, sputtering and losing and missing and fucking up for several minutes with Nikki. So, once she leaves him to stew inside of his car, he breaks the wishing willow and casts his evil, “I wish Nikki Freeman loved me more than anyone in the entire world.”

Freeman. Nice work with that one writers.

Nikki is then standing on the porch, and this is where the independent, intelligent human being that she was, turns into a doll for audiences to squirm and point at her as though she is a freak. To see her actions, her presence, her expressions and so on as creepy, or freaky as she was apparently called in school. Freaky Nikki. A name she mentions not liking.

Nikki who was once a creative and vibrant human being, filled with energy and ambition. Hopes and dreams. Becomes a possession to Bear. His wish traps her and tortures her spirit and mind. She must love him. She has no choice and while the film’s title and trailer frames it that Bear is somehow a victim to her obsession, she being a villain or monster and he simple the innocent from his own tragic misstep. Perhaps, we should view it in the reverse.

It was his obsession with her. His infatuation and entitlement which deranged into a whimsical wish that now transformed her from a human being, into his kept doll. Over the days of their ‘relationship’, she barely leaves his side. We can see that it pains her when she is not with him. In one scene, when he leaves the house for most of the day for work, she remains standing with a frozen smile. Soiling herself, urinating and vomiting as she remains locked in place, waiting for his return.

I told you not to be weird,” our uncaring cunt says. Her pain and indignity barely registering to his embarrassed need. She apologises and promises to clean up the mess, as she showers. What pride she once had, washes down the drain. While our selfish ‘hero’ stands outside moaning some dialogue to her.

During the night, as she sleeps when the real Nikki whispers and struggles, we have the East Asian depiction of ghost imagery, a slender dark figure of a girl standing, featureless and watching. It’s a trope in the West now, since The Ring. Nikki performs this for the audience. Because, to be creepy and weird is now horror. She stands there to watch him sleep, and moves awkwardly. Again, for the audience so we have those boxes ticked. But, alas, why would she be doing this, if not in turmoil and twisted inside a misery.

In another night time scene, Bear rapes his victim as she lays with a frozen smile, a tear on her cheek. For the rapist sympathisers in the audience, it’s his privilege to take her body while her mind remains imprisoned. He thrusts and takes his possession, once he has finished, thankfully for her, a minute at most, she says what needs to be said to placate her kidnapper. In earlier scenes we have moments where the real Nikki breaks free, screaming, scared. Again, token jump scares, or, a revelation as to who the actual monster in this film is.

Other weird things occur, moments of discomfort. Including while at a party, Nikki reciting prose expressing her peril. The drunk, stoned and illiterate friends roll their eyes or watch aghast. Bear, watches on, he is embarrassed. Then, as drama arises she smashes her face with a glass bottle cutting herself severely. Bear lays back watching. Poor me, the piece of shit thinks while the woman imprisoned by his wish self harms, and mutilates herself. For some reason he argues with someone at the hospital and takes her home. Never tending to her wounds. The piece of shit has shown he has the ability to use search engines, and seek information as to how one may apply first aid. Instead, she remains in pain and with cuts on her face. Poor Bear, doesn’t care. Her disfigurement encapsulates the ruination of her being.

Other things occur which continues to reveal how vile Bear is as a human being. And, the anguish of Nikki. At one point while she is asleep, she is talking to him as her true self, pleading with him. She wants it to end. Bear makes it about him and leaves his victim to suffer. No doubt after he had raped her again.

Sarah, the other friend likes Bear. No idea why. She shares a scene with him where she is hopeful that she will get accepted into university. Another character unlike Bear who has ambition. While his victim is at home in bed, he is sharing in an intimacy with Sarah and she reveals her feelings for him and he has a realisation that attraction and even love is something that should be consensual.

Then Nikki strikes, we need that jump scare, though was it? She bashes Sarah’s head into the steering wheel. Comically graphic, and putrid as a character we had come to know, is reduced to a pulped corpse. Nikki tells Bear he has to help her hide the body, he does so. Then, he goes to his friend Ian’s house and explains what we have seen. To return back home to Nikki. Who has stripped Sarah naked, is wearing her clothes and has inked her skin and pierced herself so that she may look like the corpse in the hopes of being like Sarah was, and thus more attractive for Bear. Unfortunately, Sarah is laid bare her corpse naked, exposed and a further indignity.

A pistol that was mentioned earlier in the film, finds itself now in Nikki’s possession who shoots Ian the moment he walks through the door. Bear does what he should have done even before he made the wish and attempts to shoot himself. Again, he lacks any courage. So, he swallows the pills that killed his cat. Thankfully he dies. Hopefully painfully. Nikki, is now free of his curse.

What she ‘wakes’ to is sudden horror. Pain, her friends are dead and there is no way any investigators will believe her story. She is now likely to be imprisoned as a murderer or so traumatised that she becomes a prisoner of her experiences and memory. The end.

I did not want to review the movie and write out everything that happened, only to highlight some points. There were moments where people laughed at scenes when Nikki was doing something ‘weird’, I would like to put this down to that awkward release that occurs at time. Then, again, I feel some may see this as a movie where Bear is the victim. The obsession with unrequited love fills music and fiction to the point of accepted entitlement. Stalking and obsessive behaviour can be framed as romantic, depending on the perspective. If the love is not returned, such behaviour is eerie and unwelcome.

The tragedy of the movie, is not in the wisher getting what he wanted, and it turning out to be more complicated and terrible than he had hoped. It’s in the coercion of another, who is not viewed as a human being with self agency but simply as a thing to own and have. In 365 Days, our abuser kidnaps the woman he is infatuated with. Telling her that she has a year to fall in love with him. It only takes a few days because he is ‘hot’ but above all else rich. Tall dark, handsome, badboy (he is a child trafficker and drug dealer, but he owns a million dollar plus yacht, so hot.) The woman he kidnaps falls in love with him, naturally. She is an insert for the intended audience.

His wealth and lifestyle seduces her. Even if he kidnaps her and takes away her agency to begin with. This is nothing like that. Nikki has no choice. The very actions and motions her character makes during the movie are moments of degradation and the destruction of the human spirit. Because it’s a low budget horror movie, made to entertain and even give the audience some giggles, it’s also a mirror to how people view others. How they really think about trauma and abuse. We live in an age where mental health is a monetised commodity and used as a grandiose act of self interest, but sincerity tends to be lacking when it’s a very real thing. Because many victims hide in plain sight and, sometimes they may do things that appear ‘creepy’ or ‘weird’.

Nikki is the victim. Bear, is the monster. I recommend this movie in the same way that I do, The Housemaid, which may be advertised as a sexy film because, again our abuser is rich and hot. It shows a type of abuse and control that is often inflicted in plain sight. Power, wealth and the institutional ‘importance’ of the abuser tends to allow for it to continue on. While that is a film which is more than it at first seems, it is both entertaining, a little convenient at points, especially at the end but should leave one with lingering thoughts.

Obsession, was for me initially boring, then twisted into a layered character story concealed in schlock horror. I am glad I saw it. I felt a disdain and desire to rip Bear’s throat from his skull and empathy for Nikki. While in the latest Guy Ritchie action, I forget it’s name now. I felt nothing. In the Minecraft film, all I felt was my seat moving from the kicking feet of excited males-boys at every reference to a video game I have never played. I felt something from this movie and that is what cinema should be about, it’s not meant to be just entertainment or bubble gum chewing. It should invite us to think or experience discomfort. Go see it, or don’t. I hope movies like this give the audience an obsession for story telling again.

The Kyle Anzalone Show: Trump Has Lost in Iran, What Will He Do Next?

Trump says he wants “few people killed,” then talks like bombing Iran is a weekly calendar event. That contradiction is where we start, because the public narrative around the Iran war keeps snapping from all-out threats to last-minute “negotiations” as deadlines magically extend. I walk through why that cycle looks less like strategy and more like a president boxed in by bad options, public messaging, and allies with their own priorities.

From there, we get into the part most outlets blur: the difference between political victory laps and what US intelligence and reporting suggest on the ground. If Iran can rebuild its drone program faster than expected and still holds a large share of missile and launcher capacity, then “we crippled them” becomes a dangerous story to believe. We also talk about what Iran likely learned from recent strikes and why modern drone warfare and air defense evolve at a pace that makes simple claims obsolete.

Then we widen the lens to the power side of the equation: can Trump actually control Netanyahu, or is Washington being pulled by Israeli pressure through Congress? I connect that to a Washington Post-reported defense strategy that burns through American interceptor stockpiles, and to the Thomas Massie primary loss, where massive spending and media targeting mattered more than most people want to admit.

If you want clear Iran war analysis, Strait of Hormuz leverage, uranium enrichment stakes, and the US politics that shape it all, hit play. Subscribe, share the show, and leave a review, what’s the one detail you think the mainstream story keeps avoiding?

The Kyle Anzalone Show with Prof. Joe Terwilliger on Getting “Loomered” and the Potential for a Deal with North Korea

A professor makes a $500 campaign donation and suddenly gets cast as the “most important man in America” pulling congressional strings. That absurd story is the perfect doorway into what we really care about here: how narratives get manufactured, why propaganda works, and what it’s doing to both domestic politics and foreign policy.

We start with science diplomacy and cultural diplomacy, the old-school idea that researchers, students, artists, and athletes can keep human ties alive even when governments can’t stand each other. Joe explains how that cooperative model is being redefined across the West into something closer to state leverage, where technology sharing and academic exchange are treated as tools to punish rivals. We connect that to a broader post-truth media environment, where sound bites beat evidence, repetition beats nuance, and voters can be segmented by where they get their news.

Then we move to North Korea and try to replace slogans with incentives. We talk Kim Jong-un’s regime survival logic, the strategic reasons nuclear deterrence persists, and why US policy whiplash makes long-term deals hard to trust. We also dig into North Korea’s tightening relationship with Russia, China’s concern about influence and instability on its border, and how sanctions can push sanctioned states into deeper trade and technology cooperation. Finally, we touch on rare earth minerals and why they could matter in the next phase of Korean Peninsula geopolitics.

If you want a clearer framework for understanding science diplomacy, misinformation, and North Korea strategy, listen through and share it with someone who only sees headlines. Subscribe, leave a review, and tell us what you think credible peace and credible reporting should look like.

The Kyle Anzalone Show with Larry Johnson: How Trump’s Failure in China Impacts the War Against Iran

Trump’s China summit gets sold as strength, but the details tell a different story. We dig into what the U.S. says it achieved versus what China actually signals afterward, especially on Iran and regional security. From our seat, the big issue is leverage: if Beijing won’t bend and Washington can’t compel, the talking points don’t matter much. That gap shows up immediately in the most unglamorous place possible, supply chains and rare earth minerals that can quietly slow U.S. weapons production.

We also get into Taiwan and the argument you hear everywhere: microchips, economic survival, and the idea that the U.S. has no choice but to confront China. We challenge that framing with a hard look at policy commitments, strategic ambiguity, and whether arms sales mean anything if the industrial base can’t deliver on time. If you care about U.S. China relations, Taiwan strategy, and the real limits of military power, this part connects the dots in plain language.

Then we turn to Iran and the “short, powerful strike” narrative. We walk through the operational reality: aircraft range, KC-135 air refueling, basing in the Gulf, and why Saudi, Qatari, and Kuwaiti cooperation can effectively veto a plan. We also talk escalation, the Strait of Hormuz, and how regional actors could widen the conflict fast. Finally, we bring it home to U.S. politics with the Israel lobby debate and the high-stakes Thomas Massey primary as a test of money, influence, and war policy. Subscribe, share the episode with a friend, and leave a review telling us what you think we got right or wrong.

The Lay Flat Generation

Everything in my life is controlled, living is becoming too expensive. I have no dreams. My only joy is thinking about dying.” Ji-woo, nineteen years of age.

It seems, especially to older generations, the youth are giving up. A malaise and wider apathy has taken hold among the younger generations of East Asia. In China it has been called, Tang Ping, or ‘Laying Flat’. In Japan, Hikikomori, or ‘Pulling Inwards’ and in South Korea, they have become known as the N-po generation or ‘Resting Youth’. It’s not that these sentiments are exclusive to East Asia, or any particular laziness found inside a younger generation who, some may accuse of being spoiled or without ethics. The world, it turns out was a lie. The promises and expectations of the past are now distant and unattainable for many younger people, no matter how hard they study, work or ‘push’, the effort and sacrifice does not offer reward or security.

What is the point to living?” – Li, twenty-four years of age.

All three nations and cultures have over come a 20th century marred by war, imperialism, political turmoil and tragedy. It was with extremes of authoritarianism to tremendous amounts of borrowing, investments and innovations that saw an improvement and social ascent. The three nations by the end of the 20th century became economic powerhouses, business and industries thrived. The standard of living improved across all metrics. With hard work, the rewards was a comfortable life, financial stability, even wealth and material prosperity. The cultures of working and studying long and hard provided, for a time.

Then, economic collapses through the 1990s and into the 2000s saw a pattern of instability and what growth did occur was not as wide spread as was promised. Or, the hard work was never going to pay off. The destruction and misery that their parents bought home, divorce, and alcoholism. Or, in Japan’s case and early reliance on amphetamines to help promote study and work rate, all slowly took the toll. Mixed in with the financial dissatisfaction, growing costs of living, wider surveillance and censorship the only protest and act of defiance was to give up. To no longer act as a tax cow, or a cog in the wheel.

Perhaps the escapist seductions of video games and anime may have in part provided some of the youth with a coping means. Whereas, living from inside small bedrooms, or on the streets seldom offered much luxury or opulence, some have expressed a sense a freedom inside the minimalist and ‘do less’ approach. While bed rot, doom scrolling and gaming for hours is hardly healthy for the mind or body, neither was working endless hours in corporate offices, factories or for the government.

Absent among many of the youth are any pretences of wider ideological declarations. It’s not a socialist call for the proletariat or down trodden. There is no whispers of ‘Going Galt’ or anarchist decrees. Instead, it’s an inevitable acceptance and perhaps, surrender for the inheritors of a world abused and exploited by those who came before them. Every grandiose public works expedition, however it may be seen as an investment, is not only paid for my those at the time, but the future generations. Inflationary debasement of currency, having everything turned into a speculative investment so that it becomes too expensive for the yet to be born to even enter the market, layers upon layers of rules and regulations all to prop up careers and jobs of those who produce nothing, who only exist to rent seek or extract from the energetic and productive takes it’s toll. And it is a toll.

It is the most putrid marriage of capitalism and government, wherever the chimes for benevolence, there are always those who profit and prosper from the power and enforcement of laws and regulations which protect elites and the corporate and government class. It’s an exploitation with it’s own putrid social contract of nationalism along with the Confucianism that lingers inside of many Asian cultures. The importance of social harmony and virtue, familial responsibility all of which obligate the individual into earning and providing and never speaking up, acting up against the system or power. The embers of Taoism lingers and struggles to thrive in an age of corporate and government imprisonment and power. Among the youth is a soft dissent, not student protests who defied the State at Tiananmen Square in 1989, or those gunned down in the 1980 Gwangju massacre, or the extremists like the Japanese left-wing terrorists of the 1960s and 70s.

We give up. There is no shame in giving up on a lie.” – Hinata, Twenty-one years of age.

Some hard line advocates from within government or older social critics will blame the dejected youth for their situation. The claims that they need to work harder, or should be like the past generations is an out of touch reflection of the disparity between then and now. While most generations boast and bemoan of the past they once had, they have in turn done everything to deny the youth and yet to be born those same very experiences. Whether this is done through debt or laws which have destroyed the world often nostalgically recollected upon, that has long gone. Though, their pensions and investments were built on the memories of that past, what was once an optimistic playground is now a graveyard never to be experienced by the young.

The fascist or nationalist inclination is to adhere for a greater good argumentation, the youth owes society servitude. Job Corp type of programs to take the unemployed and force them into public works, conscription or even a Hitler Youth to instil, values and work ethic. The servitude to State and society an oblation they have inherited from those who now deny them any freedoms or space to breathe. And, what values may have been of importance to the past, no longer matter to those who can through their own experiences and the screens in their hands see a different world. One of betrayal and deceit. Lies layered upon debt and corruption. Law, on law and more all of which constrains life to the point that the only dignity that remains is, to lay flat.

We are told to work hard and be obedient. My parents are unhappy, every one I know is unhappy, but we are told to be like them. We have no happiness only work and obligations to things we do not understand or believe in. I wish to remain in my bed and stay here.” Mingze, twenty-three years of age.

Or, in a more disturbing prevalence is found in the higher suicide rates, especially in South Korea. The dreary misery of modern life, and it’s many hedonistic trappings has also seen a destruction in the will of the youth to live on. In China adolescent suicide rates have increased since 2017, with under 25’s seeing higher self harm and death rates due to depression. Specific regions in China had an increase in suicide despite previously a period of decline. Older adults have also seen rising rates of suicide, especially among academics. The Covid-19 responses from governments saw an increase in the depression and suicide rates. For Japan there had been a decline from 2009-2019, with now an increase among women and adolescents. A lack of social interactions and an increase on reporting by all forms of media has been suggested for the increase.

For South Korea, suicide has overtaken cancer as the leading cause of death for those in their 40s. Nearly half of all death in Korean teenagers is due to suicide. The excessive study culture and structure of society around employment in major corporations or government has been viewed as one of the main causes along with financial pressures. All of which leads to depression and other health declines. Young people who do what is demanded of them, experience a lack of sleep, for high school students only a few hours a day. A day of study cram sessions, school itself, tutoring and night school, all of which is expected so that the student may gain the grades needed for higher education or employment in high paying careers. The nation has wrapped it self around it’s obsession with school, to the point that traffic and commercial flights are co-coordinated with exam time tables so the students have less outside noise during. The fixation with formal education has destroyed their youth and empowered the government and institutional cabals which now control South Korea with a dystopian power matrix. Families are obsessed and dependent on both to the point that childhood has been ruined.

All day is school, all night is school. We sleep in minutes at a time, on the way to school, on the way home from school. We barely eat because that time can be used for sleep. We must study and learn. I can not taste any more or even see properly, I must study and I hate every minute of my day.” Kim – Eighteen years of age.

These pressures in conjunction with a world that is different to what their parents were born into reveals a life where there is little optimism on the horizon. Just survival and a maze with no exit. The maze itself only exists to satisfy power and those who built it, so that they may build more of it for them to profit. With a decline in birth rates, or in China’s case a prohibition on children for a period, the age demographics have become shattered inside these nations. A global trend has also shown a wariness towards having kids and building a family, many reasons have been given by those who are shying away from having a family of their own. The critics will claim it’s simply selfishness. To disregard genuine fears and concerns not to mention stresses and fears dismisses complications that now exist for those coming up. Wider pollutants, from food to clothing and medications may also play a part in the inability or lack of desire to have kids. It’s likely to be a culmination of causes, here the philosophical reasons are at forefront.

In China, many with higher educations and previously impressive careers have switched to delivery driver and labouring jobs where they work just enough for food and rent. For Japan school truancy and general homelessness has taken on it’s own sub-culture along with the 80-40’s where elderly parents have adult children living with them indefinitely is becoming more widespread. Thousands of people a year, ‘disappear’ whether they leave jobs and family to simply live a nomadic and simpler life as another identity has become a cultural phenomena, especially in Japan. Not unique to the East Asian nations but some youth are now staying at home with their parents to be their domestic servants, cooking and cleaning as payment for food and board.

The emergence of ‘stall style streaming’ or homeless streamers is a display of technology and busking merging, as young people line the streets and under urban covers where they face screens to sell their personalities or perform acts for donations. Across Asia are those who are called ‘rat people’, who essentially compete to do the least and they show it online. The new flex inside of the online subculture is to be as lazy as possible, where the only movements is to doom scroll or order food to be delivered and then eaten. Some influencers have began to derive income from this anti-work, work. Then again, many would argue that as arduous as it may be, counting to one hundred thousand should not lead to becoming the most viewed person on the planet and one of the wealthiest influencers, and yet Jimmy Donaldson proved it. So online, nearly anything is possible and regarded.

People pay us to do things or they may just enjoy the things we already do. It is like panhandling but we don’t limit ourselves to strangers walking near, instead we can stream and wait for donations. It is how many of us survive, I talk about my day and sometimes I am paid by regulars and strangers. Often the people watching are inside of their bedrooms and have not left their bed in days and we are the only people they will see. It is not a friendship but it is a bond of lonely sadness.” – Yan, Twenty years of age.

Living in the screen is more than a life style, it has influenced how people relate and perceive themselves. This is not exclusive to Asia, it’s the world. Korea is often heralded for it’s beautiful people, the dark secret is in the extremes of plastic surgery and an obsession with artificial aesthetics which has led to numerous deaths and injury. The dissatisfaction with one self and expectations to look a certain way, the filtered self, or like anime or K-pop stars, has caused many to change their features. If they succeed, it’s rewarded. If they fail, they die or look worse for it. Ghost surgeons and all forms of abuse occur in the overloaded clinics and surgeries. The demand is so high. Younger generations have become fixated with their avatar in the screen, and how fictional human depictions are presented that they are willing to destroy themselves. In it’s own form the looks maxing trend among fitness and body shape standards for men and women have changed thanks to social media and the filters or doctoring of images.

The trends and variations of living occurring in the East Asian nations is an unsettling dystopian future which will infect much of the wider world. While, the soft power projection of all three of these nations through pop culture such as music and television to smart industries depicts ‘futuristic’ Utopias. For many living in the societies, it is anything but Utopian. The difference between Utopia and Dystopia tends to be perspectives and while many will read Orwell or Huxley with trembling concern, there are those who see such fictions as templates by which to improve their own personal living upon. Off course, always for the greater good. It seems the same is occurring now.

South Korea is freer and more preferable than the North. The China of today is better than when it was ruled by warlords, bandits and foreign imperialists, or during the bloody peak of Maoism. Just as Japan is much better now than it was under the militarist, and especially during it’s 20th century war years. That does not mean they are places for optimism or promise for many of the youth, debt and unstable currencies always end poorly. Not to mention, the march towards greater censorship and laws is a return to those authoritarian periods, just with more technology for the rulers and exploiters. If young people are born to be exploited, expected to wipe the asses and pay taxes and serve the older generations or elites, what comes next when they are exhausted out of having their own families, let alone see no optimism for a future. What bleak escapism they may enjoy now in time to be denied.

If there is a collapse of such economic systems, locally or globally, the usual responses is to kick the can down the road. Stimulus to protect the very institutions and power elites who tinkered the system into failure. Inflation and debt, for ever? If everything has no value, then what is the value to anything? This is the question many of the youth are asking. One thing that will always have value, is time. And if they refuse to surrender their time to those who will pay for it with money that has no value, or is debt, then the price is not worth it.

While the three East Asian nations share complex histories, much of it twisted from war, their youth share a solidarity of sadness linking them in ways that no previous generation or policy makers could ever have hoped. Unfortunately, that commonality is consequence of policies and systems imposed upon them, which benefit some while punishing many, especially the young, into a state of indentured subscriptions or corporate peasantry. While they live in safer and more abundant times to those in the distant past, it’s now a cyberpunk dystopia which can be prevented through more choice and liberalism, freedoms, rather than dependencies on hierarchies of government, corporations and traditions which serve to exploit and control rather than allow for individuals to flourish. Or aspire. Or, to dream. The exhaustion and despair that has caused the ‘laying flat’, is not going to be solved through disregard or more of the same, it is also not going to remain contained within those nations. It will, and in some ways has spread.

The cost of living is one aspect to it, the censorship, prohibitions and surveillance along with the regulatory capture which favours corporations or pushes people into contracting for the government or working inside of it. This may suit some, it is the opposite of the ambition for others. The irony is that so much prosperity was achieved through entrepreneurship and the creativity found in co-operation and individuals all of which have become deterred or homogenised into a social soup. The simple realisation for the creative and energetic is to simply give up, to lay down and rot in bed. If the world refuses to allow for such energy and creative ambition, then shame on it. Soon, that world will die because of such a firm stance and hubris and no amount of automation or artificial intelligence will fix that. Korea, Japan and China are in many ways ahead of the rest of the world, for better and worse. In this case worse, soon this despair will be afflicting the youth of the West. It’s the cost of turning everything into an investment, regulating all aspects of life, drowning the world in debt, debasing currencies and prohibiting, perhaps happiness itself. Maybe even living. Or, that will be a subscription payment too, taxes included.

It means to give up on life goals. Sampo is to give up on marriage and dating. Opo means we will never own a home or have good careers. Chilp is to give up on hope itself and any friendships or relationship within the family, and Gupo and Wanpo means to not worry about being healthy or happy. To not be and look beautiful. That’s what we have given up on.” – Min-seo, twenty-two years of age.

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